Showing posts with label Sunday Classic. Show all posts
Showing posts with label Sunday Classic. Show all posts

Sunday, January 29, 2012

Jimi Hendrix - Red House

In the middle of the move, we throw out a Sunday Classics.

"Red House" is a song written by Jimi Hendrix and originally recorded by The Jimi Hendrix Experience in 1966. The song, a slow twelve-bar blues, "is one of the most traditional in sound and form of all his official recordings". It was developed during his pre-Experience days while Hendrix was performing in Greenwich Village and was inspired by earlier blues songs. Hendrix recorded several studio and live versions during his career; later, "Red House" has been recorded by a variety of blues and other artists.

Plektrum Art

The theme of "Red House" is "as old as the blues itself—the singer's woman doesn't love him any more and has moved". According to Noel Redding, Hendrix told him "the song was written about his old high school girlfriend Betty Jean Morgan", although her house was reportedly brown. It has been suggested that Linda Keith's (who brought Hendrix to the attention of Chas Chandler) friend's New York apartment with "the red velvet walls and decor influenced Jimi's writing". However, for Billy Cox "As far as I know, 'Red House' didn't have any significance in reference to a particular person, place or thing. It was just a blues number that Jimi put together".



Todays tune "Red House" by Jimi Hendrix, Live Stockholm 1969



More info @

Official Jimi Hendrix Web

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Sunday, October 9, 2011

Janis Joplin - Ball & Chain



Its Sunday and Classic time :D

One of the most known female in the rock/psychedelic soul business is Janis Joplin. I dont know anyone that have had sucha feeling when she sings.



The last recording of Janis was done the 1st of October 1970, I think the song was "Mercedes Benz" on the 4th she left her earthly life, that been both bad and good, in the end it was mainly about the drugs, .

But even then it couldnt kill her strength or drive to create more music.
Drugs really do shit with peoples head and soul.



Anyway she is one of the coolest singers in this genre.

The tune I´ve choosen today is "Ball 'n' Chain" this is a tune by Big Mama Thornton, she wrote and recorded "Ball 'n' Chain," which became a hit for her.
Janis Joplin later recorded it with the Big Brother and the Holding Company where Janis was the lead singer from 1966-1968 then they sorta splitted up.



(Janis sang the song twice at Woodstock 1969, after fans cheered for an encore).

Ladys and Gents, here is Janis Joplin!

Peace and Love to ya all, Thetania




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Sunday, October 2, 2011

Supertramp - The Logical Song



Its Sunday and Classic time :D

Hello there again, Ive been away and not been able to do TOTD for some time.
What would be the best for me to do other than a classic :D

Ive choosen Supertramp. I bought this album in 1979 I think, it have been playd so much since then. The Logical Song was one of my highlights, really love the lyrics they maked me think; Hm am I doing right or wrong? What is my purpose? What are others purpose etc.



This album is Supertramps sixth album, Breakfast In America won the 1980 Grammy Award for Best Recording Package, beating out albums by Talking Heads and Led Zeppelin, among others. (I dont know if I totally agree on this cos Led Zepp is my gods)




On 21 April 2010 it was announced that Supertramp would give 35 concerts in late 2010. Dates were announced for concerts in Germany, Portugal, the Netherlands, Italy, France and other European countries. This tour called "70-10" was to commemorate the 40th anniversary of the group's first release. Roger Hodgson, who was not included in this tour, embarked on a solo 2010 tour to Australia, New Zealand, South America, Europe, Canada, and the US.



In 2011 both Hodgson and Supertramp continued to tour separately. When asked whether Roger Hodgson might appear on some of the 2011 dates Davies replied, “I know there are some fans out there who would like that to happen. There was a time when I had hoped for that too. But the recent past makes that impossible. In order to play a great show for our fans, you need harmony, both musically and personally. Unfortunately that doesn’t exist between us anymore and I would rather not destroy memories of more harmonious times between all of us.



So the future will see if they find the harmony on the personally side :D

Here is the website for Roger Hodgson
And here is Supertramps website.

Ah well folks, Here is Supertramp!

Peace, Thetania




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Sunday, September 11, 2011

Black Flag - Rise Above


In many ways, Black Flag was the definitive Los Angeles hardcore punk band. Although their music flirted with heavy metal and experimental noise and jazz more than that of most hardcore bands, they defined the image and the aesthetic. They formed in 1976 in Hermosa Beach, California. The band was established by Greg Ginn, the guitarist, primary songwriter and sole continuous member through multiple personnel changes in the band. They are widely considered to be one of the first hardcore punk bands.

Black Flag's sound mixed the raw simplicity of the Ramones with atonal guitar solos and frequent tempo shifts. The lyrics were written mostly by Ginn, and like other punk rock bands of the late 1970s and early 1980s, Black Flag voiced an anti-authoritarian and non-conformist message, in songs punctuated with descriptions of social isolation, neurosis, poverty, and paranoia. These themes were explored further when Henry Rollins joined the band as lead singer in 1981. Most of the band's material was released on Ginn's independent label, SST Records.





Black Flag was and remains well-respected amongst punk subculture, with their influence primarily in their tireless promotion of a self-controlled DIY punk ethic and aesthetic. They are often regarded as pioneers in the movement of underground do-it-yourself record labels that flourished among the 1980s punk rock bands. Through constant touring throughout the United States and Canada, and occasionally Europe, Black Flag established a dedicated cult following.



Todays tune "Rise Above" is taken from Black Flag's debut studio album "Damaged". It was released in December 1981 through SST Records.

More info @
The Mighty Black Flag (Fan Site)

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Sunday, February 27, 2011

Dust - From A Dry Camel


Sunday, a day that goes perfectly for a little more classic type of choice of music. Today we screws a bit on the clock. At the dawn of the '70s, hard rock and early heavy metal were almost completely dominated by British innovators. Dust was one of the few American bands to try picking up the gauntlet, playing a progressive brand of proto-metal that was explicitly indebted to their British contemporaries. Formed around 1968, the group featured vocalist/guitarist Richie Wise and the teenaged rhythm section of bassist Kenny Aaronson (who also doubled on slide and steel guitars) and drummer Marc Bell; plus, Kenny Kerner served as the group's lyricist, manager, and producer.




Dust released their self-titled debut album in 1971 on Neil Bogart's pre-Casablanca label Kama Sutra. The follow-up, 1972's Hard Attack, sharpened the band's edge and intensified the power of their approach; thus, it became the more sought-after of the pair by collectors interested in the roots of American metal. However, Dust would record only those two albums; Aaronson joined Stories in 1973, and Wise and Kerner became a production team, also working with Stories; the following year, they would go on to helm the first two Kiss albums. Aaronson, meanwhile, became a prolific session bassist and Bell later became part of the New York punk scene, joining up with Richard Hell & the Voidoids and then moving on to the Ramones (adopting the name Marky Ramone).

The Dust is a band that really should have a place in the disc tray or in vinyl shelf, I own the "Hard Attack" but not actually the first album. Hopefully, I run on one, where the condition of the album is good in the future.

Todays tune ”From A Dry Camel” is taken from the self titled debut album with Dust. With a double gong crashes, and From A Dry Camel launches into a kind of doomy Sabbath-riff. This is a great piece of early metal. Enjoy!



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